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Virga I by Eluvium. After a year hiatus, the last official Freaknik being in , Atlanta-based promotion company After 9 Partners and Carlos Neal contracted Luther Campbell , Juvenille, Trina and others to spearheaded the return of a revamped Freaknik in June Other activities were available throughout Atlanta, such as a community service event.

Williams Street Studios produced a one-hour special spoof titled Freaknik: The Musical based on the popular festival. The show aired on television network Adult Swim on March 7, A season one episode of True Life followed college students during 's Freaknik.

A season six episode of Sister, Sister chronicled Tia and Tamera's trip from Michigan to Atlanta toward Freaknik with their college friends.

On "Hair Day", the eleventh episode of season six of the ABC series Black-ish , Dre reveals to his son Jack that as a younger man he was beaten in a dance-off by a someone who brought his own whistle to the party, which raised the ire of his oldest son, Junior, who insisted Dre had told him "What happens at Freaknik stays at Freaknik.

From Wikipedia, the free encyclopedia. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources.

Unsourced material may be challenged and removed. Georgia U. The Atlanta Journal-Constitution. Archived from the original on April 20, Retrieved April 14, It was a heck of a run.

From until , Freaknic — the college picnic that morphed into a sprawling street party — tormented, titillated and drove Atlanta to the brink but Chrissy said it came back for a while until April 18, Among the other activities planned are a party at a downtown club hosted by Michael Bivins of the hip-hop group "New Edition," a basketball tournament, rap sessions, a film festival and a daylong job fair.

February 16, Retrieved July 15, Archived from the original on September 27, Now, a number of business leaders disagreed.

All I want you to do is behave. I thought they were cranky and lame. It just: Boom! Shut down the traffic. Traffic is just such a big part of Atlanta.

When the traffic shuts down, everything shuts down. And the city that promoted its civil rights legacy found itself in an internal dispute that split along racial lines—black college students versus white home and business owners—as well as across a generational divide.

The concern in political circles was that some in the black community would perceive any measures that restricted Freaknik or discouraged it as City Hall doing what the white folks wanted.

That was never discussed, but it was part of a concern. Sam Massell is president of the Buckhead Coalition, which he founded in He was Atlanta mayor from to We had come a long way in race relations on a one-on-one basis: sitting together at baseball games, working together in businesses.

But nobody had seen a crowd like that, a mob scene. People panic with mobs. It was the newness of it, the fact that it was different.

Eldrin Bell: Who owns businesses downtown? Mostly white people. But any complaints were about behavior. Ed Gibson lived in Ansley Park in the mids.

My thought was that these kids were exactly like me and my peers back in the day, at Myrtle Beach and in Florida—with different music and less sunburn.

Sonia Murray works at V and covered Freaknik for the Atlanta Journal-Constitution where she worked as music critic in the s.

But hanging out in your car, for a lot of black people, is. It was rarely people that were in college that I ever interviewed.

These were people who were working and saving their money, wanting to hang out. It was more like people right out of college.

Where would you go to party if you lived in Augusta? Where would you see that many people in one place? What is the equivalent now?

Atlanta felt like a black mecca during Freaknik. All kinds of people, all kinds of parties. It was too much in too condensed of a place.

Doug Monroe: I had a telephone call line [at the newspaper] and whenever I wrote anything about it at all, I would get real angry calls with people either calling me an apologist for Freaknik or a racist.

It was also a very tense racial issue, I think, because you had the African American students having fun and everybody else wanting to go about their business.

It really broke down along racial lines and was quite bitter. As Freaknik approached, civic leaders decided to deal with the weekend by changing it.

With all that buzz, and acts like Snoop Dogg and Queen Latifah scheduled to perform, Freaknik drew a record , attendees—70, of whom turned out for a Saturday concert in Piedmont Park.

For hip-hop and black music, it became a mecca. When the corporate sponsorship showed up, it was huge. It stopped being about black students having a good time and took on an All-Star Game type of feel.

It really became a black Daytona Beach. Sonia Murray: By the time Freaknik reached its height, for a record label it was an opportunity.

You were getting your target audience gathered all in one place. A lot of labels had events and parties, and labels saw it as an opportunity to promote their new artist.

I remember Diddy coming down. I remember seeing Snoop. You could see people at events and be around them. I remember Jermaine Dupri. It was his city; he was everywhere.

Jermaine Dupri: Me and Kris Kross went to the mall during Freaknik, and the mall damn near got shut down. That was like an advertising, marketing thing.

A College Park native, he still lives in Atlanta. I remember one year seeing Outkast … a lot of different people. At times we just went, and we all saw each other at Piedmont Park.

It was almost like a festival with the concerts—different people were doing different things. But it was never rounded up like a Lollapalooza. Luther Campbell: If you were an artist promoting any product, it was a great place to party, to promote new music.

You could go and meet a lot of beautiful women. It was an event you just had to be at. The Dirty South was really starting to come into its own.

Freaknik was ratchet before ratchet was a word. Once it grew, everybody saw it as a money-making opportunity. Dallas Austin: Freaknik was a good time to book a show because you knew it was going to be packed.

Everybody knows a good weekend. Club owners, promoters knew during Freaknik you were gonna make money. So different venues would do stuff on their own to make money.

Sonia Murray: On Saturday at Lenox, you could see every artist there. I remember going down the escalator and the guys from Boyz II Men were harmonizing on the escalator going into the food court!

It was gigantic for the malls. This was when a lot of record labels were talking about designers for the first time. People were going out and buying those things, wearing them in the videos.

It was all moving in tandem with the music and the scene at that time. Jermaine Dupri: I was driving during this whole era.

I wanted to get in my Range Rover and drive. I was driving and people knew her because she was on TV and it was like the craziest shit in the world!

Luther Campbell: Being the owner of my record label, I could monitor record sales. We would look for events like Freaknik to be a part of.

While the music business profited, others saw Freaknik as a liability. In April , restaurants announced plans to close, and some hotels refused to take reservations.

Some residents and businesses formed the Freaknik Fallout Group and threatened to sue the city. There were a couple of conventions taking place. They said their guests would never come back.

APD and state troopers implemented an aggressive traffic control plan, blocking highway exits and setting up barricades in popular cruising areas.

Campbell and his police chief, Beverly Harvard, enlisted the AUC college presidents to send letters to their peers at schools, asking them to discourage students from attending.

This thwarted some, but hardly all. On the third weekend in April, , partyers arrived. Sharon Toomer: The city made things worse. Ayanna Brown: By , you had the airport locked up.

People were coming from everywhere. So the tone of Freaknik started to change. Salah Ananse: Things that went on in strip clubs were spilling out into the streets.

Even Mardi Gras is more controlled. Kwanza Hall : I came home a couple of times from college to go to Freaknik. I met up with some friends and drove from D.

It changed more and more as I came back. It got worse and worse and worse in terms of the behavior and what [the city] could manage. It got further and further away from college.

Patti Puckett Ghezzi: I was on the Connector; it was super congested. In front of me were these girls riding in a really shiny, fancy car.

They were all dressed in the Freaknik outfits of the day—the tight denim shorts. They were lounging like they were sunbathing.

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